Monday, October 7, 2013

The Intuitive Arts and Science



                         As we are coming to see, for all the rational objections there are to using intuitions, nothing is faster at identifying what is as of yet not known. Be it meeting someone for the first time, or mapping the universe at the scale of the very large or very small, we are designed to confront the unknown. Why? Those are the concerns of philosophers and theologians. How? Now that's my area of expertise. Maybe why is more important, but in this situation, knowing how we embrace and experience the unknown is somehow the gift of the intuitive awareness.

                         The obsession with symmetry and the invariance of structure under rotation or projection has been at the core of rational analysis. From the beginnings of history, we have focused down into today extending outwardly into futures yet to imagine. Just like the past light cones that focus into our eyes, the future is projected like a lighthouse illuminating the unknown.

                          The whole point of this literary exercise, has been to demonstrate and prove the inescapable truth of the intuitive awareness. This has been done by a series of hypothetical assertions. The application of said propositions has been a process of affirmation. I have avoided trying to reinvent the wheels of consciousness. But as the source materials will require closer reanalysis, the basic territories have been discussed, mapped and resultantly explored. The subtle sophistication of the history of the intuitive arts has been revealed to often be very limited and sometimes even completely wrong. But this does not negate the pristine truths that have irreversibly resulted from this pursuit of truth and knowledge. But man does not see it.

                          Mans greatest evil is the pretense of authority. When it is said to be the absolute truth, and it is NOT TRUE, this is the abuse of power. Speculation, Great. The deluded arrogance of false authority, not great, bad, wrong, evil. There are many of you who are going to object to much of what I have written. I have made little attempt to distinguish things like the difference between Tropical from Sidereal (Hindu) Astrology. I have also put little energy into the interpretations of palm markings. I've done nothing so far to look at the practice of handwriting analysis, yet. I have tried to give some insight into the fine art of chinese diagnostics and treatment, but this too I must say is lacking in detail. And yet as we are approaching the end of this document I am relieved to see that I still have work set out for me. My instincts and intuitions have so far served me very well. If precision is science then brevity is art.
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